Rob Faber is a luxury portrait photographer based in Suffield, CT, creating print-focused work for families and professionals across Connecticut and Massachusetts.
FBR Media Group, powered by Rob Faber Photography, runs high school sports media days for programs across Northern Connecticut and Western Massachusetts.
The standard media day starts at $1,500 for one team and two hours, then $750 for each additional team at 90 minutes.
A lower entry option is a $500 session fee, with athletes and families buying images and prints a la carte from the gallery.
Both options can be paired with fundraising, so a program can pay for its media day without touching its budget.
This post explains exactly where that money goes, because I would rather you understand the number than just see it.
I get asked about the price of a high school sports media day more than almost anything else. Usually the question comes from a coach or a booster parent who loves the images, wants them for their program, and then sees the quote. So let me answer it directly. As a photographer, I believe that if I cannot explain a price, I should not be charging it. This is that explanation.
Here is the short version. A media day is not two hours of taking pictures. It is a full production, built and torn down in a school gym or on a field, that turns into hundreds of finished images and a season’s worth of content for your program. Below, I will walk through the two ways to book, what each one covers, and how fundraising can cover the cost for teams that do not have it sitting in an account.
I run FBR Media Group out of my studio near the Connecticut and Massachusetts line, and I also teach business at a public high school. So I see this from both sides. I know what the images do for a program, and I know how tight athletic budgets are. That is why the pricing is built the way it is.
Option One: The Standard High School Sports Media Day
The standard booking is $1,500 for the first team and a two hour window. Each additional team is $750 for 90 minutes. If that structure looks lopsided, that is on purpose, and the reason is the most honest part of the whole price.
The First Team Pays for the Production
The first number carries the setup. Before a single athlete steps into the light, I have scouted the space, packed a studio’s worth of gear, and loaded it in. Strobes, modifiers, backdrops, stands, tethering, and backups for all of it. Then I build the lighting so that every athlete, from the first to the last, gets the same polished, cinematic look. At the end of the day, everything comes down and goes back out the door.
Every additional team inherits that setup. The lights are already dialed in. The set is already built. So the second, third, and fourth teams cost less, and the price reflects that instead of pretending each team is a fresh job. It is not a discount. It is just math.
Directing Athletes Is a Skill, Not a Formality
Moving twenty to sixty athletes through a set in a tight window, and getting each of them to look like they belong on a magazine cover rather than in a yearbook, is the hardest part of the job. It takes direction, pace, and the ability to pull confidence out of a sophomore who has never stood in front of a real light. I trained for this the same way I trained for professional headshots, and the coaching is the same. The difference in the final image is not the camera. It is what happens between the athlete and the person behind it.
The Work You Never See
Most team galleries end up with more than 250 images. Every one of those frames gets culled, color corrected, and retouched before it reaches the gallery. Then the gallery is built and delivered through PhotoDay, with a turnaround fast enough that the images actually get used during the season, not after it. Post production is typically the largest block of hours in a media day, and it is the part nobody watches.
Professional Gear, Insurance, and Backups
A high school sports media day runs on professional lighting, camera bodies, and lenses, plus a backup for anything that could fail on the day. It also runs on liability insurance to be on school property and the software that delivers the gallery. A day rate has to carry all of that, because a media day that stops because a light died is not a media day.
What Your Program Actually Gets
This is the part I care about most. The images from a media day become your program’s visual identity for the season. Social graphics, hype posts, senior night, recruiting profiles, banners, the team page on the school site. When you divide $1,500 across a roster, it often works out to less per athlete than a single picture day package from a traditional vendor. Instead of one pose on a gray backdrop, the team walks away with a body of work.
It also means families are not nickel and dimed afterward. Under the standard booking, the team gets whole team access, so everyone downloads and uses everything. One price, no surprises.
Option Two: The $500 Session Fee With A La Carte Images
Not every program can fund a flat fee, and I did not want that to be the reason a team never gets a media day. So the second option is a $500 session fee. That covers the production side, including setup, shooting, editing, and gallery delivery. The program is simply not committing to a bulk license up front.
From there, athletes and families buy exactly what they want from the PhotoDay gallery. A few digital images, a couple of prints, or the whole set. Nobody pays for images they will not use.
I will be honest about the trade off, because you deserve that. Per image costs add up. For a large roster that wants everything, whole team access is the better deal. But for a program testing its first media day, or one that needs a low entry point, the $500 session is the right door to walk through.
How Fundraising Pays for a High School Sports Media Day
Here is the piece most coaches do not know about. A media day can fund itself, and we have done it both ways.
Fundraising Through Gallery Sales
Under the $500 session option, a share of the gallery sales goes back to the program. Every image or print a family buys puts money into the team’s account. Over the course of a season, that can offset the session fee entirely, and for programs with big rosters and engaged families, it can come out ahead. The team gets its images and its fundraiser in the same afternoon.
The Media Day as the Fundraiser
The other approach is to run the media day as the fundraising event itself. Families and boosters pre fund the session, and the images become the reward. Instead of selling candy bars or car wash tickets, the program sells something families actually want, and the money goes directly toward the production. For a program that fundraises anyway, this is often the easiest sell they will ever make.
If your team is somewhere between “we love this” and “we have no budget,” this is where I would start the conversation. Reach out through my contact form and we will build a structure that works for your program.
Frequently Asked Questions
What is included in a high school sports media day?
Setup and lighting on site, the shoot itself, full editing of every delivered image, and gallery delivery through PhotoDay. Under the standard booking, that includes whole team access to the entire gallery.
How many athletes can you photograph in a session?
The two hour standard session and the 90 minute additional team sessions are built around a full roster moving through the set with real direction for each athlete. If your program has several teams, we schedule them back to back on the same day so every team benefits from the same setup.
Can we do a media day if the team has no budget?
Yes. Between the $500 session option and the fundraising models above, a program can book a media day without pulling from its athletic budget. Tell me your situation and I will tell you which structure fits.
Where do you run media days?
I serve schools and programs across Connecticut and Western Massachusetts, including Simsbury, Granby, Suffield, West Hartford, Longmeadow, and the surrounding towns. Media days take place on site at your school.
How do I book a high school sports media day?
Fill out my contact form with your program, roster size, and timeline, and I will send the details. From there, we pick a date and get your team in front of the light.
Give Your Program the Season It Deserves
A high school sports media day is an investment, and I would never pretend otherwise. But it is an investment in how your athletes see themselves and how your community sees your program, and it comes with a price I can explain line by line. If that sounds like what your team needs, reach out through my contact form and let’s talk about the right structure for you. To see the work first, visit myMedia Day and Senior Portfolio. And subscribe to the Shoot for Succession podcast, available on all major podcast platforms, for more behind the scenes insight into portraits, business, and building something that lasts.
Serving Suffield, CT, and surrounding areas, Rob Faber Photography specializes in one-of-a-kind portraits for professionals, athletes, and high school seniors. This blog highlights sessions from across Connecticut and Massachusetts, including West Hartford, Glastonbury, and the Cape Cod shoreline. Every entry showcases the artistry and attention to detail behind Rob’s Signature Black Label Experience—transforming everyday moments into extraordinary artwork for your home.
He did an amazing job with my new headshots and pictures for my website. He took my ideas and vision to the next level. He was patient, had great ideas and suggestions and was really able to capture "me"! Rob is truly an artist behind the camera and I cannot recommend him enough. If you are in need of a photographer, Rob is definitely your guy! He will help elevate the look of your business to the next level.
Chris Latournes
"Rob is great to work with!"
He can do it all! Whether he is capturing a special family moment, sporting event or a senior portrait he does it seamlessly and makes the experience fun!
We’ve worked with Rob many times and he always delivers excellent portraits. Each photo always tells a story and beautifully captures the moment.
Danielle Delpha
"Rob is an amazing photographer"
Rob is an amazing photographer, both technically and creatively. He knows how to make you comfortable during the shoot, and to bring out your own unique personality. Not only did he have so many of his own incredible ideas for the shoot, but he was also more than willing to collaborate for my vision as well. A top-notch experience from start to finish. Highly recommended.
Lee Totten
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I’ve always believed that good work speaks for itself. Photography, for me, has never been about chasing trends or high-volume sessions — it’s about creating portraits with clarity, purpose, and staying power.
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